This month's altar honours Inanna, the Great Goddess of Sumer (now Iraq) who dates from 5-6,000 years ago. As depicted in ancient times (centre altar image from Sacred Soure), Inanna was a goddess of abundance (offering her breasts to nourish all life), fertility (those wide child-bearing hips) and personal power (her rich and plentiful adornments of jewelry) --
The complex myth of Inanna's descent/death/rebirth, so full of psychological and emotional insights and truths relevant to my own life, had a profound impact on me. It marked the start of my devotion to the Divine Feminine over 35 years ago. Here is a very simplified version of the myth, illustrated by goddess art which I commissioned about 15-20 years ago from Thalia Took of A-Muse-ing Grace Gallery.
The goddess Inanna, Queen of Heaven and Earth, decided to visit her sister Ereshkigal, Queen of the Underworld. The harrowing descent required Inanna to pass through seven gates, each one smaller and lower than the one before. At each gate, she was stripped of a symbol of her power, until she entered the Underworld through the seventh gate, naked and crawling on the ground. Her dark goddess sister Ereshkigal promptly killed her and hung her body on a meat hook.
Inanna and Ereshkigal are actually the same being, of course. Inanna is our conscious ego and Ereshkigal is our unconscious shadow side. In times of emotional crisis, the ego is laid low, powerless and defeated, in the abyss of despair. The shadow must be understood and integrated or healing cannot occur.
In gratitude for such unexpected kindness, Ereshkigal granted them one wish. They asked for Inanna's body, which they then revived with the Water of Life brought for that purpose. The ascent back to the surface began. At each gate, a symbol of Inanna's power was returned, so that by the time she reached the surface, Inanna was restored to her full power. However, she now saw the world "with new eyes," having integrated her shadow self and grown wiser from the experience.
[Photos © Debra She Who Seeks, 2024]
...this is outside my wheelhouse.
ReplyDeleteThese are wonderful insights, great food for thought today.
ReplyDeleteMuch to think about. Thank you for the inspiration today!
ReplyDeleteWas just wondering last night what the altar would be ... you never disappoint with the icons and information about each goddess!
ReplyDeleteWell, loved all of this.
ReplyDeleteAll. Of. This.
I can see why you consider it so important.
XOXO
According to Giorgio Tsoukalos of the History Channel's "Ancient Aliens" fame, these were extraterrestrials who visited earth during ancient times. Poor folks at the time had no knowledge of technology, so they mistook them for gods.
ReplyDeleteHello Debra, Very interesting to learn about Inanna's archetypal journey to and return from hell. So many ancient myths (Persephone, Orpheus) and modern tales (Alice in Wonderland, Edna St. Vincent Millay's Renascence) are similar, and it usually is a female deity (or deity-type) who makes this journey.
ReplyDelete--Jim
What a fascinating story and beautiful altar.
ReplyDeleteThe goddess of abundance has a bodacious booty.
ReplyDeleteInteresting journey. Thanks for sharing
ReplyDeleteI love learning all the myths and stories of humanity. Often even though the names have changed, the stories are very similar. Proving we are all one
ReplyDeleteThank you for that info. I learned something new.
ReplyDeleteSuch a profound and empathetic story. I can see how it could have a deep impact.
ReplyDeleteAlso, so good to have a contingency plan!
A strong and hopeful moral story.
ReplyDeleteWhat a fascinating story, Debra! So powerful and moving!
ReplyDeleteThank you.
ReplyDeleteA very nice article about this ancient deity of the summerians. You knows that every person has his own way for to desenvelope spirituality. I liked to read It. Greetings from Mallorca.
ReplyDelete@ J.S. Vila -- I always enjoy your comments! Thanks for dropping by, I appreciate it!
DeleteFascinating. Last week, online, I watched Margaret Atwood address a crowd of Albertan teachers. Your descriptions and explanations here reminded me of her interview and seem connected to Atwood's respect for tarot cards; Atwood is of course a storyteller, but she suggested that tarot cards, originating in the Renaissance, not only tell stories (and therefore teach lessons) but structure stories in ways that push against modern storytelling methods (beginning, middle, end). If I understood her correctly, she was challenging the audience to avoid defaulting to stories as linear and instead, see circular patterns too. Essentially, similar to what you've shared here, we need to look at our difficult present with "new eyes," or at least in fresh ways that we haven't before. No doubt your perspective helps do just that.
ReplyDelete@ DB Stewart -- Thanks for bringing this to my attention! I must find that Atwood link and listen to her insightful thoughts on tarot!
Delete@ DB Stewart -- D'oh, can't find a link. I guess you heard her speak online as a virtual attendee of the ATA professional development conference! You lucky duck!
ReplyDeletewow fascinating and powerful dear Debra!
ReplyDeletethanks for sharing
we mostly learn after making mistakes which is good