This month's full moon altar honours the Celtic Horse Goddess of ancient Europe. She had many names among the various Celtic tribes -- Epona (Britons), Rhiannon (Welsh), Mare (Irish), and Horsa (Nordic/Germanic). She was the only Celtic divinity adopted and worshipped as well by the Romans who conquered those regions.
The Horse Goddess's most unique and powerful attribute was the ability to carry her people safely across thresholds, boundaries and transitional spaces, all of which were central to Celtic spirituality. Such magical, liminal spaces were sacred but also considered very perilous. And they were everywhere -- between physical spaces (like land/sea, earth/sky, fields/mountains, inside/outside of buildings), between temporal spaces (day/night, old year/new year, winter/spring etc.), and between states of being (such as sleeping/waking, illness/health, womb/birth, life/death). The Goddess's protection kept people safe as she transported them across those boundaries.
I chose the Horse Goddess for October's altar because Samhain/Halloween marks the important transition between the Celtic Old Year and the New Year. This is when "The Veil Between the Worlds" is said to be at its thinnest, when people, spirits and ghosts can move more freely between the worlds of the living and of the dead. The Veil is represented on the altar by the sheer purple scarf with its crescent crone moon and pentacle motifs.
Traditionally, the Horse Goddess is depicted naked, as in both these representations. Her nudity represents the wild, untamed nature of the Divine Feminine. Similarly, any horse associated with the Horse Goddess is always a white horse, symbol of purity and freedom.
The Horse Goddess lives on in our modern world in a couple of ways. It is believed that the medieval myth of the saviour-figure Lady Godiva on her white horse harks back to the old pagan imagery in a new Christian world. Most scholars also believe that the prehistoric Uffington White Horse carved into the chalk hills of Berkshire, England honours the Horse Goddess as well.
The two draft horses included on the altar were carved by my father about 35 years ago. I previously wrote about them
here.
[Photos #1-3 © Debra She Who Seeks, 2023; Photo #4 from Wikipedia]